LIGHTING for Film and Television

Learn to tell stories with light in a 6-hour, immersive, funny course with sketch comedy and two complete short films

4.50 (678 reviews)

Udemy

platform

English

language

Media

What you will learn

To teach you not only how to light like movie and TV pros, but why you do what you do, and how it supports the artistic goals of the project

Course Gallery

LIGHTING for Film and Television – Screenshot 1 — Screenshot 1 – LIGHTING for Film and Television

LIGHTING for Film and Television – Screenshot 2 — Screenshot 2 – LIGHTING for Film and Television

LIGHTING for Film and Television – Screenshot 3 — Screenshot 3 – LIGHTING for Film and Television

LIGHTING for Film and Television – Screenshot 4 — Screenshot 4 – LIGHTING for Film and Television

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Comidoc Review

Our Verdict

This immersive course combining humor and sketch comedy offers valuable insights into the art and science of lighting for film and television. While the course displays minor shortcomings related to outdated content and occasional captioning issues, its real-world examples and comprehensive exploration of various lighting elements make up for a strong foundational understanding overall. A partial update addressing modern cinematographic technology would further elevate this insightful program.

What We Liked

The course excels in providing real-world lighting examples through two complete short films, giving students valuable insights into how professional lighting is applied in practice.
Comprehensive lessons on various lighting equipment, such as fluorescent and LED lights, filters, scrims, gels, clamps, C-stands, Foamcore, flags, etc., offer practical knowledge applicable to a variety of cinematographic situations.
Instructors deliver well-paced lessons, receiving positive feedback for their engaging teaching style, and the course strikes a balance between theoretical knowledge and practical examples.

Potential Drawbacks

Some students express concern regarding the outdated content, particularly older tutorials on tungsten, HMIs, and fluorescent lighting that may not be as relevant for modern film sets.
A limited number of reviewers have reported occasional discrepancies between captions and spoken content in the videos.
Absence of coverage on contemporary topics like LED lights, mobile phone and DSLR camera filmmaking, and more recent gear lists may leave some students desiring updated information.